As mentioned in the previous post, the chorus in Nashville has devised their own character names. In some cases, these are family names of ancestors who lived around the time that ELMER GANTRY is set. It turns out that the devising of names was the wonderful idea of Amy Tate Williams, the supremely talented Chorus Master and Accompanist for Nashville Opera.
We've invited the chorus to list their real and devised names as a way of getting them started on this blog...
Continue reading "Audraine & Bunny & Doshe" »
I sort of live at the turn of the century daily in my Bed & Breakfast built 1898 - 1904 here in Nashville Top O'Woodland Historic Bed & Breakfast Inn 5 minutes from the theater downtown.
I have loaned the production my turn of the century wheelchair for the perfomances. I also play my turn of the century Bowed Psaltery during our quartet moment.
I choose to use my great Aunt Osie Morehead’s real name Eolia. It was shortened by her three little brother’s inability to say Eolia, so Osie it was her whole life. Born in 1892, she had a career when women didn’t do that yet, played a mean ragtime piano daily (I have her baby grand Steinway here and several of her other posessions) and she never married living to a healthy-feisty age 103.
My quartet decided our Base-father character Bertram Keely, previously widowed, had twin children Deller (soprano) & Doche (tenor) Keely by his first wife. I, Eolia (mezzo), am his second-trophy wife since I am a few years younger. We have had fun making up creative stories about our family getting a good laugh out of each other as we wait backstage to make our entrance in the Tent Revival scene.
What an honor to be part of the premier! Belinda Lee Leslie (my real birth name)
Continue reading "Keely Quartet, Eolia Keely" »